Ladymas, 25 March, the feast of the Annunciation, which is close to the vernal equinox.The correspondence between the liturgical and astronomical events is significant; as John the Baptist said of Jesus Christ: He must increase, but I must decrease. Thus, the days begin to lengthen with the birth of Jesus Christ at the darkest time of the year, and then begin to shorten with the birth of St. John, six months later.
St. John’s Day, 24 June, the feast of the Nativity of the Baptist, which is close to the summer solstice.
Michaelmas, 29 September, the feast of the Archangel, which is close to the autumnal equinox.
Christmas, 25 December, the feast of the Nativity of Jesus Christ, which is close to the winter solstice.
Candlemas, 2 February, the feast of the Presentation in the Temple.In the center I depicted Jesus Christ raising His hand in blessing. His emblem is circular, surrounded by a ring with points that suggest the sun. (The emblems representing the liturgical feasts are also like this.) The central emblem is within a cross, whose outline is filled with stars, to show that the sun (and by metaphor, Jesus Christ the Sun of Justice) is the greatest light in the heavens. Around this, the ornament is composed of branches of an evergree fir tree. This is to say that God never changes, even though the seasons do.
May Day, which is both a feast of St. Joseph and the beginning of a month dedicated to the Virgin Mary. Here I illustrated the Flight onto Egypt, to include the entire Holy Family.
Lammas, at the start of August. Here, I illustrated St. Peter celebrating Mass; this refers both to the feast of St. Peter in Chains, and to the Eucharistic meaning of the loaf-Mass.
Hallowmas, at the start of November, the feast of All Saints. Here, I illustrated St. John the Revelator’s vision of the great multitude, which is read as the lesson at this day’s Mass.
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Actual size art print: $88
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20" × 20" large print: $176
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