Their lives, according to James of Voragine.
Prose by Hildegard of Bingen:
The first theological commitment of [Rabanus Maurus] is expressed, in fact, in the form of poetry and had as a theme the mystery of the holy cross in a work titled, De Laudibus Sanctae Crucis, conceived to propose not only conceptual content, but also exquisitely artistic motivations using both the poetic form and the pictorial form within the same manuscript codex. Iconographically proposing between the lines of his writing the image of the crucified Christ, he writes: This is the image of the Savior who, with the position of his members, makes sacred for us the most sweet and dear form of the cross so that, believing in his name and obeying his commandments, we might obtain eternal life thanks to his passion. Because of this, each time that we raise our eyes to the cross, we remember him who suffered for us to sever us from the power of darkness, accepting death to make us heirs of eternal life.
This method of harmonizing all the arts, the intelligence, the heart and the sentiment, which came from the East, would be highly developed in the West, reaching unreachable heights in the miniate codices of the Bible and in other works of faith and of art, which flourished in Europe until the invention of the press and even afterward. In any case, it shows that Rabanus Maurus had an extraordinary awareness of the need to involve in the experience of faith, not only the mind and the heart, but also the sentiments through these other elements of aesthetic taste and the human sensitivity that brings man to enjoy truth with all of his being, spirit, soul and body. This is important: The faith is not only thought; it touches the whole being. Given that God made man with flesh and blood and entered into the tangible world, we have to try to encounter God with all the dimensions of our being. In this way, the reality of God, through faith, penetrates in our being and transforms it.
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